for the haunt:I. for the haunt
portable, multiplicitous, adhesive ghosts of Kim Ki-taek appear, with their class-based frowning, beyond his story Parasite (2019). He is invited to continue to haunt from his place in the driver’s seat, staged with a different backseat: East Asianness, as told through bubble tea powered gentrification of Toronto Chinatown and ‘diverse’ influencer consumerism.
on elsewhere and the reflection, the haunting/haunted; a framing instead of disembodiment.
III. intimacies of
illustrated hands as a placeholder for intimacies of touch, care, and labour in the elsewhere and everywhere.
pls attach anywhere and send me a photo 🙂
@z.iwei / lucyzwfang.com